Interview: Dark Thoughts - GIARDINI OORT

Written by Marilù Ciabattoni

Discovered via Musosoup

Introducing GIARDINI OORT, a transcendent musical project delving into the depths of human emotion through ambient and dark soundscapes. Born from a rich tapestry of global percussion and ethereal instruments like the handpan and RAV, GIARDINI OORT navigates the intricate balance between inner peace and the chaos of the external world. Influenced by icons like Trent Reznor and Nine Inch Nails, the project's compositions evolve with layered complexity, exploring themes of reflection and meditation. As the sole producer, GIARDINI OORT's sound remains authentic and immersive, while collaborations with kindred spirits amplify its creative vision. With dreams of collaborations and aspirations for wider audience connection, GIARDINI OORT embodies a journey of sonic exploration and emotional resonance in the world of ambient and dark music.

Introduce yourself: Who is GIARDINI OORT? How and when was the project born?

GIARDINI OORT is a sonic exploration into the quiet and tumultuous realms of the human spirit, a project that seeks to bridge the gap between inner peace and the chaos of the external world through music. My journey into music began with an extensive study of percussion from various cultures around the globe, a voyage that deeply influenced my understanding and appreciation of rhythm, tone, and the emotional language of music. This exploration eventually led me to the handpan and RAV, instruments that captivate with their ethereal sound and profound musical expressiveness. The project was born from a desire to create soundscapes that reflect this blend of global percussive knowledge with the haunting beauty of these instruments, emerging as a unique auditory experience crafted amidst the solemn reflections on life's intricaciest; it's a reflection of a lifelong musical odyssey that began with a drumbeat echoing across continents and culminated in the delicate balance of melody and silence..

How has your music changed in the past few years?

Over the years, my music has evolved to become more layered and complex, both in terms of composition and the themes it explores. Initially focusing on simpler ambient landscapes, I've gradually incorporated darker tones and more intricate melodies, reflecting a deeper engagement with the nuances of reflection and meditation. This evolution represents not just a shift in sound but an ongoing journey into the vast possibilities of musical expression.

Who inspired your music? Who are your biggest influences?

My music is heavily inspired by the work of Trent Reznor and Nine Inch Nails for their raw emotional power and innovative soundscapes, as well as artist like Radiohead, Massive Attack, Sigur Ros and LORN for his unique approach to electronic music. These artists have shaped my understanding of how music can evoke deep emotional responses and have influenced my exploration of dark, ambient sounds.

Could you introduce your favorite singles you've released so far?

One of my favorite singles actually is "Dark Thoughts," a track that encapsulates the project's essence. It's a piece that combines haunting melodies with introspective depth, reflecting on the tragedies of war and its impact on innocent lives. Another favorite is the next one “A Place Without Gravity”, which explores an exploration into the concept of freedom — both literal and metaphorical - showcasing the diversity within my musical exploration.

How did you develop this style? Will you experiment with other genres in the future?

My style developed from a combination of my musical influences and personal experimentation with different sounds and instruments, including moog synthesizers, handpans, drums, percussion and various effects. I'm always open to exploring new genres and sounds, aiming to blend different elements to create something truly unique. The future may hold more experimental work, possibly incorporating elements from genres outside of ambient and electronic.

Let's talk about "Dark Thoughts:" What inspired it and how did it come to life?

"Dark Thoughts" was inspired by the profound impact of war on children, particularly in conflict zones like Syria and Gaza. The inspiration came from a deep place of empathy and sorrow for these innocent lives caught in turmoil. The track came to life through a process of immersive composition, where I sought to translate these emotions into sound, creating a piece that is both haunting and reflective.

Who produces your tracks? How do you choose which producers to work with? Do you have some dream producers you'd like to work with?

Currently, I produce most of my tracks, focusing on maintaining a sound that's true to the Giardini Oort vision. When choosing collaborators, I look for producers who share a similar ethos and creative spirit.

Is music your main occupation at the moment? If not, how are you conciliating your day job with your music career?

In the current landscape, where music has become "liquid," it's nearly impossible for music to be the primary occupation for many artists, myself included. The digital age, while offering unparalleled access to listeners worldwide and allowing emerging projects like Giardini Oort to be easily discoverable, has also led to significantly diminished earnings for musicians. This paradigm shift has certainly opened doors for widespread exposure but at the cost of reducing the financial viability of music as a sole occupation. Balancing a day job with my music career has become a necessity, a challenging yet rewarding endeavor that keeps me grounded and allows me to pursue my passion for music without the pressure of financial constraints.

Have you ever been on tour? If not, would you like to embark on one? If yes, tell us about it.

Lately, my music career hasn't included touring in the traditional sense, mainly due to my commitment to balancing time between family and work. However, I'm looking for creative ways to mix business with pleasure, potentially turning my next vacation period into a sort of "mini-tour."

Who's your dream feature?

My dream feature would be collaborating with artists like Trent Reznor or Thom Yorke, whose artistry and approach to music deeply resonate with my own.

Where do you see yourself in one year as a musician?

In one year, I see myself further exploring the depths of ambient and dark music, possibly having released a new album or EP that pushes the boundaries of my current sound. I hope to connect with a wider audience, sharing the journey of Giardini Oort with those who find solace and reflection in music.

Discovered via https://app.musosoup.com #sustainablecurator

Astralix: Crafting EDM Magic with "The Rhythm Fills My Soul"

Written by Marilù Ciabattoni

Discovered via Musosoup

The latest release, “The Rhythm Fills My Soul” from Astralix immerses listeners in its spacey and pulsating journey into the realm of EDM.The song immediately captures attention with its dreamy atmosphere, offering a catchiness that invites listeners to get lost in the pulsating ritmo. The vocals, delivered by the female singer Malena, are smooth, silky, and tender, emanating a carefree vibe.The track celebrates youth, fun, and a carefree lifestyle, embodying the spirit of dance music. Influenced by EDM heavyweights like Tiesto, Marshmello, Swedish House Mafia, and Avicii, “The Rhythm Fills My Soul” reflects a contemporary sound that aligns with the high-energy and uplifting characteristics of the genre.Gary Dranow of The Manic Emotions has collaborated all the way from Park City, UT, USA, with Chris Zoupa in Melbourne, Australia, just to create another banger with their songwriting synergy. With producer Louis Dupont, the track has resulted in a seamless fusion of creative energies.

The song’s title aptly encapsulates its essence, as the ritmo truly fills the soul of the listener. The immersive beats create an irresistible urge to move and dance, making it a perfect addition to any EDM playlist.Astralix is releasing more tracks, including “Lost and Found” and “Still Raining,” to start the new year with more memorable smashes. The project’s versatility is proven as they transition between EDM and Alternativa Rock. Until January comes with the new releases, let’s keep jamming and dancing to the ritmo of “The Rhythm Fills My Soul” by Astralix.

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Gary Dranow: Unveiling the Depths of Musical Passion

Written by Marilù Ciabattoni

Discovered via Musosoup

In the realm of rock music, few names resonate as profoundly as Gary Dranow. Throughout the past year, Gary and his band have enraptured audiences with an electrifying repertoire, including hits like 'Mellow Drama,' 'The King Is Dead,' 'Shimmering,' and 'Digitize.' Their magnetic presence and infectious melodies have garnered a devoted following, making Gary Dranow a household name in the world of rock.

Eager to delve deeper into Gary's musical journey, we had the privilege of sitting down with the man himself. From insights into his personal life to the inspiration behind his iconic tracks, Gary Dranow invites us into the heart of his creative universe.

"Who is Gary Dranow, and when did your love affair with music begin?" we ask. With a warm smile, Gary recounts his journey—a tapestry woven with notes, rhythms, and emotions. From a young age, he found solace in the power of storytelling through songs, drawing inspiration from the rich tapestry of musical genres.

As the conversation unfolds, Gary sheds light on his passion project, The Manic Emotions—a band steeped in the traditions of rock and blues. Influenced by musical legends like Hendrix and Stevie Ray Vaughn, their sound is a harmonious blend of raw energy and soulful melodies.

'Mellow Drama,' Gary's introspective masterpiece, takes center stage as we explore the depths of his personal journey. Born out of a diagnosis of bipolar disorder, the song serves as a poignant reflection of resilience and hope. Through music, Gary found solace and healing, transforming his struggles into songs of strength and redemption.

With 'Sandy Beaches,' Gary invites listeners on a sonic journey—a celebration of blues rock and the timeless allure of the guitar riff. For Gary, the song is a testament to the raw authenticity of rock music—a reflection of his unwavering passion and dedication to the craft.

Away from the spotlight, Gary finds solace in the simple joys of life. Mornings are dedicated to hiking with his wife, Elizabeth, and their dogs, embracing the beauty of nature as a source of inspiration and renewal.

Delving into his musical playlist, we discover an eclectic mix of influences—from the legendary Jimi Hendrix to contemporary artists pushing the boundaries of sound. For Gary, music is a journey through time and genres—a testament to the boundless possibilities of creativity.

As our conversation draws to a close, Gary shares his vision for the future—a future defined by exploration and growth. With each new song, he aims to push boundaries and connect with audiences on a deeper level. For Gary Dranow, the journey is just beginning, and the possibilities are endless.

In the ever-evolving landscape of rock music, Gary Dranow stands as a beacon of passion and creativity—a testament to the enduring power of music to inspire, heal, and unite us all. As his journey unfolds, one thing remains certain: the world awaits with bated breath for the next chapter in the musical odyssey of Gary Dranow.

Discovered via https://app.musosoup.com #sustainablecurator

Feature: SUPER SAIYAN JAY GC Presents An Unplanned Christmas

Written by Marilù Ciabattoni

Discovered via Musosoup

In the kingdom of Yuletide rap, Super Saiyan Jay’s “GC Presents An Unplanned Christmas” EP materializes like an unexpected present wrapped in beats and bars. With just a duo of tracks, the conciseness of this holiday offering echoes the fleeting essence of December’s festive spirit—yet its impact is as enduring as any classic carol.

From the outset, “Deck The Halls” crowns itself as a reveler’s anthem—a fusion of thumping bass lines with merry mischief that could likely ignite dance floors even beyond Santa’s realm. Its party-focused vibe conjures images of tinsel-decorated turntables, a modern-day sonic sleigh ride tailor-made for hip hop heads eager to rock their ugly Christmas sweaters.

Swaying to another rhythm is “Wish List,” serving up warm rhythmic hot chocolate topped with sentimental rhymes. This track harks back to old-school hip hop cheer while charmingly weaving tales not just of lavish desires but also heartfelt wishes—to care deeply for someone amidst the glitz can resonate powerfully when authentically spun by Super Saiyan Jay.

Recorded at Palm Beach studio under Oscar’s technical mastery, there’s raw authenticity in each cut—a testament to an unplanned project that feels fortuitous rather than manufactured. One might think combining rap and festive tunes would yield garland-covered gimmicks; instead, it delivers astonishing subtleties—an urban soundscape decorated with sincerity and swaggering seasonal joy.

While only covering a couple of songs may leave some listeners craving more winter chronicles from this dynamic artist, Super Saiyan Jay masters distillation—the artful compactness evokes greater appreciation for each mesmerizing hook and clever lyric composed amid jingle-bell jubilation. Cheers to fresh Noel narratives where “GC Presents An Unplanned Christmas” is not just observed but celebrated—with flair.

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Feature: Sandy Beahes - Gary Dranow

Written by Marilù Ciabattoni

Discovered via Musosoup

In the realm of rock music, few names resonate as profoundly as Gary Dranow. Throughout the past year, Gary and his band have enraptured audiences with an electrifying repertoire, including hits like 'Mellow Drama,' 'The King Is Dead,' 'Shimmering,' and 'Digitize.' Their magnetic presence and infectious melodies have garnered a devoted following, making Gary Dranow a household name in the world of rock.

Eager to delve deeper into Gary's musical journey, we had the privilege of sitting down with the man himself. From insights into his personal life to the inspiration behind his iconic tracks, Gary Dranow invites us into the heart of his creative universe.

"Who is Gary Dranow, and when did your love affair with music begin?" we ask. With a warm smile, Gary recounts his journey—a tapestry woven with notes, rhythms, and emotions. From a young age, he found solace in the power of storytelling through songs, drawing inspiration from the rich tapestry of musical genres.

As the conversation unfolds, Gary sheds light on his passion project, The Manic Emotions—a band steeped in the traditions of rock and blues. Influenced by musical legends like Hendrix and Stevie Ray Vaughn, their sound is a harmonious blend of raw energy and soulful melodies.

'Mellow Drama,' Gary's introspective masterpiece, takes center stage as we explore the depths of his personal journey. Born out of a diagnosis of bipolar disorder, the song serves as a poignant reflection of resilience and hope. Through music, Gary found solace and healing, transforming his struggles into songs of strength and redemption.

With 'Sandy Beaches,' Gary invites listeners on a sonic journey—a celebration of blues rock and the timeless allure of the guitar riff. For Gary, the song is a testament to the raw authenticity of rock music—a reflection of his unwavering passion and dedication to the craft.

Away from the spotlight, Gary finds solace in the simple joys of life. Mornings are dedicated to hiking with his wife, Elizabeth, and their dogs, embracing the beauty of nature as a source of inspiration and renewal.

Delving into his musical playlist, we discover an eclectic mix of influences—from the legendary Jimi Hendrix to contemporary artists pushing the boundaries of sound. For Gary, music is a journey through time and genres—a testament to the boundless possibilities of creativity.

As our conversation draws to a close, Gary shares his vision for the future—a future defined by exploration and growth. With each new song, he aims to push boundaries and connect with audiences on a deeper level. For Gary Dranow, the journey is just beginning, and the possibilities are endless.

In the ever-evolving landscape of rock music, Gary Dranow stands as a beacon of passion and creativity—a testament to the enduring power of music to inspire, heal, and unite us all. As his journey unfolds, one thing remains certain: the world awaits with bated breath for the next chapter in the musical odyssey of Gary Dranow.

Discovered via https://app.musosoup.com #sustainablecurator

Interview: Supernatural - Gianfranco GFN

Written by Marilù Ciabattoni

Discovered via Musosoup

Meet Gianfranco, the dynamic Guitarist & Composer whose musical journey spans diverse genres and rich harmonies. From his beginnings at age 7 to leading his personal project since 2011, Gianfranco's compositions epitomize artistry and collaboration. Rooted in Jazz, Soul, Funk, and Bossa, his evolution as a musician shines through each project, enriched by collaborations with the enigmatic "Mystery Band." Influenced by legends like Santana, Wes Montgomery, and The Police, Gianfranco's discography boasts over 200 songs, each a testament to his musical prowess and creativity. As a self-taught artist, he crafts his signature style to evoke escapism, dreams, and dance, transcending conventional boundaries. With aspirations for collaboration and a forthcoming 5th album, Gianfranco's musical odyssey promises continued innovation and audience engagement, fueled by the unwavering support of his fans.

Introduce yourself: Who is Gianfranco GFN? How and when was the project born?

My name is GIANFRANCO and I'm a Guitarist & Composer, but above all an artist! My passion is composing and creating music, since I started music at the age of 7, I have traveled in different musical worlds adventures with bands, and my personal project began in 2011 with ideas, goals, that have brought me a lot but above all I have the chance to work with many other different artists! That's why I call these musicians the "Mystery Band", because each one brings his or her own creativity and professionalism to the table.

How has your music changed in the past few years?

With several years of musical experience in different styles (Jazz, Big-Band, Rock, Disco-Funk, etc...) I built my project in my favorite musical style "ACID-JAZZ" which brings this mix of (Jazz- Soul, Funk, Bossa) instrumental than Songswriter. Working on my own and being my own conductor, I've called on various musicians from different backgrounds who have brought a touch that I've been looking for, whether through their knowledge, styles, but above all the way they interpret. With my last three albums, the manner, evolution and style are particularly evident. I've also made a lot of changes in the way I compose! My compositions have also evolved a great deal, including the song that is often presented rather than the usual "Turn around", but I've kept a few things that don't break the audience's listening habits.

Who inspired your music? Who are your biggest influences?

I grew up in a family that loved music, first through their traditional folk music, then through the fashionable music of the time with all the greats we know "Beatles, Rolling Stones, Italian, French, etc. ..." but I started music with the Blues, then Jazz, and according to the times all the adventures in various styles! My most notorious influences are all the Jazz musicians of the 50s and 60s, then people like Santana, The Police, Wes Montgomery, Incognito, the world of Soul, the world of the 70s with Motown in particular, etc.... the list would be long, but I think I give an overview of the world from which I also drew inspiration. Not forgetting Italian chanson, where I come from, of course.

Could you introduce your favorite singles you've released so far?

Over the course of my career to date, I've composed over 200 songs. It's not easy to say which songs are my favorites, because for me, they're all very good, in terms of their musicality as well as their particularities. I'd say I could start with the oldest: Race Criminals Cosmos, Chico Blues, Love never dies, Money, Tears of freedom, Island, Bonne & Clyde, So Dance, Docotor Wind, Supernatural, to name but a few!

How did you develop this style? Will you experiment with other genres in the future?

First and foremost, I'm self-taught, having practiced Jazz, where I love the rich harmonies that are used, but at the same time the more basic Blues, with these rhythms coming from the world of Soul, Funk, without forgetting the bossa and rock side, I've created my musical world, my style that I believe today is beginning to be recognized by the listeners who follow me. For me, music should be listened to in a way that lets you escape, dream and dance, without having to find out or understand what the artist was trying to say... or play!

Let's talk about "It's the End:" What inspired it and how did it come to life?

Supernatural ("It's the End") was born, like many of my songs, from a series of chords, a rhythm and a text that had to be married to the music and carry a meaning! I gave it an "Andante" cadence, even if the text contains a call to lost love, with a melody that's a little sad but also joyful to give the song a punch. When you listen to the song, you soon realize that it starts off rather gently, with a rhythm, and the closer you get to the end, you'll find a surge of energy and strength in both the music and the vocals. With an ending and exit that can leave you wondering, but also hopeful for a sequel…

Who produces your tracks? How do you choose which producers to work with? Do you have some dream producers you'd like to work with?

All my tracks I produce myself, since 2015 I've created my own Label and recently I also have a publishing house in collaboration with an office linked to artists for their rights and defenses! Being my own producer gives me and leaves me a great deal of freedom, but it does mean a lot of work! Ideally, I'd love to meet and collaborate with big-name producers, above all so that my music gets more airplay and earns more money, but today this is rather difficult but not impossible, so I can't give you any names, or there are too many very good ones! But I hope I'll meet someone!

Is music your main occupation at the moment? If not, how are you conciliating your day job with your music career?

No, because these days the music business doesn't earn as much as it used to, especially on physical and digital sales. There are concerts, but there are so many of us that our fees are very, very low. So, like many artists today, I have a "food" job, of course, otherwise it would be impossible to continue in this musical world. I have to say that there are a few glimmers of hope, especially over the last 2 years, when I've started to earn more money, especially as my music is spreading more and more, but there's still a long way to go before I can make a living from it without worrying about tomorrow.

 Have you ever been on tour? If not, would you like to embark on one? If yes, tell us about it.

I have to say that it's been a long time since I've done any touring, and as I explained earlier, this is due to a financial problem where the organizers no longer offer attractive fees for everyone! There are so many artists in this musical world that supply and demand has changed. I'm not giving up hope, and yes, I'd love to go on tour again with my Band and discover new stages and magical places, meet new people and present my musical world to them in concert.

Who's your dream feature?

I can't give you a single name, there are many characters, artists, visionaries who have inspired me and some who continue to inspire me, I hope that some of them I'll have the chance to meet one day! Perhaps then it will be worth telling you about them, because something lively and adventurous will have happened.

Where do you see yourself in one year as a musician?

In the course of this year I'll be releasing my 5th album, some of which you can already hear, and others which will be added over the coming months! Then, of course, there will be a sequel, which will be a surprise! I invite the public to follow me on one of my various pages on social networks, and I'd like to invite the public not to forget that we artists need your support whether by following us or by a gesture of purchase or donation, because if the musical world wants to live it also needs financial support.

Discovered via https://app.musosoup.com #sustainablecurator

Interview: Deep Mollusca - William Sanford

Written by Marilù Ciabattoni

Discovered via Musosoup

Meet William Sanford, the enigmatic Dance/Electronic musician whose artistry defies conventional boundaries. Hailing from NW Indiana/Chicago-land, William's music reflects a fusion of eclectic influences and maximalist tendencies, born out of a mid-life crisis and existential reflection. Drawing inspiration from icons like Boards of Canada, Ween, and Prince, William's sonic journey evolves with each project, from the narrative-rich "Hallothanksmas Soundscapes" to the deep-sea exploration of "Deep Mollusca." As a sole producer and performer, William's compositions mirror his messy, eclectic persona, embracing experimentation and welcoming diverse genres into his realm. With dreams of collaborating with visionaries like Boards of Canada and Nala Sinephro, William's musical odyssey promises endless innovation and artistic growth.

Introduce yourself: Who is William Sanford? How and when was the project born?

According to the Google knowledge panel, William Sanford “was” a Dance/Electronic musician who lived from 1764 to 1837. William’s website and press releases originally stated that William “is” an eclectic, eccentric and electronic musician from the NW Indiana/ Chicago-land area with working-class roots. Almighty Google must be the true version; obviously. However, regardless of whether or not William is a working-class, hobbyist musician or is actually a long-deceased vampire, William thrives on the juxtaposition of seemingly incompatible contradictions. This obviously leads to Maximalist tendencies. 

As far as why William started doing this? The “real” answer is much less sexy. He did it because of a mid-life crisis and the “existential dread” of slipping away into irrelevance as he ages. It’s been five years since then, so… the clock’s ticking. 

How has your music changed in the past few years?

William is always attempting new things, but one thing that remains consistent is that each work strives to be its own world. There has been obvious growth in production skill and technique and this is glaringly evident when one listens to “Hallothanksmas Soundscapes” next to William’s latest “Deep Mollusca”. But… the eclecticism has been there from the beginning. The projects are just maturing, getting tighter, and the seemingly disparate song choices are becoming better glued together with clever narrative and sonic elements. 

Who inspired your music? Who are your biggest influences?

William’s foundational inspirations remain the same- Boards of Canada, Ween, Prince, Yes, Tori Amos, Queen, Aphex Twin, Pink Floyd, Bill Evans, and The Cure. Beyond that, William is always pulling in new influences from The Beach Boys to Tyler the Creator; from Electric Light Orchestra to SOPHIE. Everything becomes fair game if it catches William’s ear. 

Could you introduce your favourite singles you've released so far? 

William doesn’t really consider himself a “singles” artist. He still believes wholeheartedly in the album, or at least, the E.P. Even if the production isn’t as tight as some of his later releases, “The Charmingly Boring Lives of Snails” remains a favourite of Williams. The short run-time of that E.P. as well as “Cool Memories” was an attempt to give the “vibe” of a concept album in a time frame compatible with contemporary life. They could be enjoyed while on a “meal” or “vape” break at work. It’s a format William may visit again at some point. 

How did you develop this style? Will you experiment with other genres in the future?

William is a messy and eclectic person. This “style” is merely the reflection of that. And it is almost guaranteed that other genres will get mixed in as time goes on and they are discovered and absorbed by William. 

Let's talk about "Deep Mollusca:" What inspired it and how did it come to life?

William came across some videos by The Schmidt Ocean Institute and EVNautilus that features deep sea creatures and environments. This prompted a deep dive and obsession and over the course of a year, a concept album was built around the knowledge and inspiration gained from this. No joke, William went so far as to purchase and “attempt” to read Biology and Evolution of the Mollusca  by David R. Lindberg, Juliet Mary Ponder, and W. F. Ponder. While William has a degree in Philosophy and is no stranger to long, dry texts, a graduate level Biology text was a bit beyond him. Although, William can tell you that the Aplacophora posses aragonite spicules as opposed to a calcareous shell and that their “mantle” is rudimentary compared to other Mollusks. So, there’s that. 

Who produces your tracks? How do you choose which producers to work with? Do you have some dream producers you'd like to work with?

William is the sole producer and performer on most tracks. William would love to watch someone like Brian Eno work when it comes to his production of other bands, but as far a collaborating, it is unlikely that William would share production duties, But, who knows? 

Is music your main occupation at the moment? If not, how are you conciliating your day job with your music career?

Nope. William still pulls pallets for a living. And he still considers himself a hobbyist. 

Have you ever been on tour? If not, would you like to embark on one? If yes, tell us about it.

Nope. William recognizes that putting together a live show is probably an important next step, but this still needs to be worked out. William refuses to be a musician who simply presses “play” in a live setting. So, playing certain synth parts and such is a necessity. William has also considered costumes and such; dressing up as some of the weird characters introduced in his music. This is still in the “dream” phase. So, we will see. 

Who's your dream feature?

Obvious choices would be the likes of Boards of Canada. William was absolutely blown away by the electronic and contemporary jazz of Nala Sinephro. Collaborating with her and her team would be unbelievable. Beyond music, pairing with some visual artists would be amazing. Brian Calvin’s surrealist and pop-art leaning cubist pieces would make a great visual accompaniment to William’s music. Another obvious visual arts choice would be Jen Stark’s psychedelic installations for the obvious “brand” synergy. 

These are dreams pairings of course. And William is absolutely happy working with Emilija Mitchell for all of his art needs. She has done his covers since Boomer Vibe “Sessions” and also created William’s snail logo. Her work has been paramount to furthering William’s vision. 

Where do you see yourself in one year as a musician?

Who knows what William will up to in a year? Thanks to Google’s knowledge panel, William has been toying with the idea of building a “concept” around mythology and legend with his “misinterpreted mirror image” as the subject. There’s also the idea of going back to producing “bite-sized” EP’s. Something will materialize at some point. If not, William could always fall back on doing Corey Feldman covers or something. 

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Interview: Cookout - Tre K

Written by Marilù Ciabattoni

Discovered via Musosoup

Meet Tre, the charismatic rapper hailing from South Orange, NJ, known for his electrifying energy and raw lyricism. With his latest project, "The Coldest Veins," Tre encapsulates his journey from the chilling nights of LA to the fiery depths of his personal experiences. Embracing the drill sound while infusing elements of rage and rock, Tre's music pulsates with authenticity and emotion, drawing inspiration from his idols like Jay Z and Lil Wayne. Tracks like "Kiss Me More" and "Cookout" showcase his dynamic style, fueled by collaborations with longtime producers Father Milli and Kanayo. With dreams of touring nationwide and collaborating with icons like Trippie Redd, Tre's ascent in the rap scene is imminent.

Who is Tre K? How and when was the project born?

It’s ya boy Tre from South Orange NJ, one of the coolest rappers to ever bless the mic. Thus my tape “The Coldest Veins” is available for all to listen to now! 

The project was born last winter when I went to LA and was freezing in the nighttime, I had said “damn I’m cold down to the vein” and that gave me the idea for the project.

How has your music changed in the past few years?

In the past few years I have been exploring the drill sound. I am more of a rage/rock rapper but the sound has been fun and I have made some really cool music lately.

Who inspired your music? Who are your biggest influences?

My personal life inspires all of my music. Some artists that have influenced me as well are Trippie Redd, Lil Uzi, young thug etc. Not to be confused with my biggest influences: Jay Z and Lil Wayne.

Could you introduce your favourite singles you've released so far?

My favorite singles I have out are “kiss me more” and “Cookout.”

How did you develop this style? Will you experiment with other genres in the future?

I developed my style by jumping into the booth head first. No idea what I was doing until stuff kinda started sounding good. It was a complicated to explain. I am blessed to have patient engineers.

Let's talk about "Cookout:" What inspired it and how did it come to life?

“Cookout” was actually a random beat I got from my producer when he changed his number. So I thought it was a spam text when I first got it lol. 

The song is about how sometimes your enemies don’t even know why they hate you, in reality, they actually like you.  “I like they like me, he was the smoke I ran up my Nikes, might talk an opp I think that’s a nigga likes me, talking a life he living isn’t likely.”

Who produces your tracks? How do you choose which producers to work with? Do you have some dream producers you'd like to work with?

I have two producers I work with regularly. Father Milli and Kanayo I grew up with both of them. I  pick beats based on how I feel mostly. It would be a dream to work with Metro Boomin or Cash Cobain. But I love my producers the most.

Is music your main occupation at the moment? If not, how are you conciliating your day job with your music career?

Music is all I do, I have shows weekly and I am booked all the time so I really don’t have the time for a regular job.

Have you ever been on tour? If not, would you like to embark on one? If yes, tell us about it.

I have not been on tour, I am looking for a booking agent to help me set one up.

Who's your dream feature?

Trippie Redd is def my dream feature.

Where do you see yourself in one year as a musician?

In one year I can see myself on my first ever. Country Wide Tour.

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