Interview: Dark Thoughts - GIARDINI OORT

Written by Marilù Ciabattoni

Discovered via Musosoup

Introducing GIARDINI OORT, a transcendent musical project delving into the depths of human emotion through ambient and dark soundscapes. Born from a rich tapestry of global percussion and ethereal instruments like the handpan and RAV, GIARDINI OORT navigates the intricate balance between inner peace and the chaos of the external world. Influenced by icons like Trent Reznor and Nine Inch Nails, the project's compositions evolve with layered complexity, exploring themes of reflection and meditation. As the sole producer, GIARDINI OORT's sound remains authentic and immersive, while collaborations with kindred spirits amplify its creative vision. With dreams of collaborations and aspirations for wider audience connection, GIARDINI OORT embodies a journey of sonic exploration and emotional resonance in the world of ambient and dark music.

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Introduce yourself: Who is GIARDINI OORT? How and when was the project born?

GIARDINI OORT is a sonic exploration into the quiet and tumultuous realms of the human spirit, a project that seeks to bridge the gap between inner peace and the chaos of the external world through music. My journey into music began with an extensive study of percussion from various cultures around the globe, a voyage that deeply influenced my understanding and appreciation of rhythm, tone, and the emotional language of music. This exploration eventually led me to the handpan and RAV, instruments that captivate with their ethereal sound and profound musical expressiveness. The project was born from a desire to create soundscapes that reflect this blend of global percussive knowledge with the haunting beauty of these instruments, emerging as a unique auditory experience crafted amidst the solemn reflections on life's intricaciest; it's a reflection of a lifelong musical odyssey that began with a drumbeat echoing across continents and culminated in the delicate balance of melody and silence..

How has your music changed in the past few years?

Over the years, my music has evolved to become more layered and complex, both in terms of composition and the themes it explores. Initially focusing on simpler ambient landscapes, I've gradually incorporated darker tones and more intricate melodies, reflecting a deeper engagement with the nuances of reflection and meditation. This evolution represents not just a shift in sound but an ongoing journey into the vast possibilities of musical expression.

Who inspired your music? Who are your biggest influences?

My music is heavily inspired by the work of Trent Reznor and Nine Inch Nails for their raw emotional power and innovative soundscapes, as well as artist like Radiohead, Massive Attack, Sigur Ros and LORN for his unique approach to electronic music. These artists have shaped my understanding of how music can evoke deep emotional responses and have influenced my exploration of dark, ambient sounds.

Could you introduce your favorite singles you've released so far?

One of my favorite singles actually is "Dark Thoughts," a track that encapsulates the project's essence. It's a piece that combines haunting melodies with introspective depth, reflecting on the tragedies of war and its impact on innocent lives. Another favorite is the next one “A Place Without Gravity”, which explores an exploration into the concept of freedom — both literal and metaphorical - showcasing the diversity within my musical exploration.

How did you develop this style? Will you experiment with other genres in the future?

My style developed from a combination of my musical influences and personal experimentation with different sounds and instruments, including moog synthesizers, handpans, drums, percussion and various effects. I'm always open to exploring new genres and sounds, aiming to blend different elements to create something truly unique. The future may hold more experimental work, possibly incorporating elements from genres outside of ambient and electronic.

Let's talk about "Dark Thoughts:" What inspired it and how did it come to life?

"Dark Thoughts" was inspired by the profound impact of war on children, particularly in conflict zones like Syria and Gaza. The inspiration came from a deep place of empathy and sorrow for these innocent lives caught in turmoil. The track came to life through a process of immersive composition, where I sought to translate these emotions into sound, creating a piece that is both haunting and reflective.

Who produces your tracks? How do you choose which producers to work with? Do you have some dream producers you'd like to work with?

Currently, I produce most of my tracks, focusing on maintaining a sound that's true to the Giardini Oort vision. When choosing collaborators, I look for producers who share a similar ethos and creative spirit.

Is music your main occupation at the moment? If not, how are you conciliating your day job with your music career?

In the current landscape, where music has become "liquid," it's nearly impossible for music to be the primary occupation for many artists, myself included. The digital age, while offering unparalleled access to listeners worldwide and allowing emerging projects like Giardini Oort to be easily discoverable, has also led to significantly diminished earnings for musicians. This paradigm shift has certainly opened doors for widespread exposure but at the cost of reducing the financial viability of music as a sole occupation. Balancing a day job with my music career has become a necessity, a challenging yet rewarding endeavor that keeps me grounded and allows me to pursue my passion for music without the pressure of financial constraints.

Have you ever been on tour? If not, would you like to embark on one? If yes, tell us about it.

Lately, my music career hasn't included touring in the traditional sense, mainly due to my commitment to balancing time between family and work. However, I'm looking for creative ways to mix business with pleasure, potentially turning my next vacation period into a sort of "mini-tour."

Who's your dream feature?

My dream feature would be collaborating with artists like Trent Reznor or Thom Yorke, whose artistry and approach to music deeply resonate with my own.

Where do you see yourself in one year as a musician?

In one year, I see myself further exploring the depths of ambient and dark music, possibly having released a new album or EP that pushes the boundaries of my current sound. I hope to connect with a wider audience, sharing the journey of Giardini Oort with those who find solace and reflection in music.

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Astralix: Crafting EDM Magic with "The Rhythm Fills My Soul"

Written by Marilù Ciabattoni

Discovered via Musosoup

The latest release, “The Rhythm Fills My Soul” from Astralix immerses listeners in its spacey and pulsating journey into the realm of EDM.The song immediately captures attention with its dreamy atmosphere, offering a catchiness that invites listeners to get lost in the pulsating ritmo. The vocals, delivered by the female singer Malena, are smooth, silky, and tender, emanating a carefree vibe.The track celebrates youth, fun, and a carefree lifestyle, embodying the spirit of dance music. Influenced by EDM heavyweights like Tiesto, Marshmello, Swedish House Mafia, and Avicii, “The Rhythm Fills My Soul” reflects a contemporary sound that aligns with the high-energy and uplifting characteristics of the genre.Gary Dranow of The Manic Emotions has collaborated all the way from Park City, UT, USA, with Chris Zoupa in Melbourne, Australia, just to create another banger with their songwriting synergy. With producer Louis Dupont, the track has resulted in a seamless fusion of creative energies.

The song’s title aptly encapsulates its essence, as the ritmo truly fills the soul of the listener. The immersive beats create an irresistible urge to move and dance, making it a perfect addition to any EDM playlist.Astralix is releasing more tracks, including “Lost and Found” and “Still Raining,” to start the new year with more memorable smashes. The project’s versatility is proven as they transition between EDM and Alternativa Rock. Until January comes with the new releases, let’s keep jamming and dancing to the ritmo of “The Rhythm Fills My Soul” by Astralix.

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Gary Dranow: Unveiling the Depths of Musical Passion

Written by Marilù Ciabattoni

Discovered via Musosoup

In the realm of rock music, few names resonate as profoundly as Gary Dranow. Throughout the past year, Gary and his band have enraptured audiences with an electrifying repertoire, including hits like 'Mellow Drama,' 'The King Is Dead,' 'Shimmering,' and 'Digitize.' Their magnetic presence and infectious melodies have garnered a devoted following, making Gary Dranow a household name in the world of rock.

Eager to delve deeper into Gary's musical journey, we had the privilege of sitting down with the man himself. From insights into his personal life to the inspiration behind his iconic tracks, Gary Dranow invites us into the heart of his creative universe.

"Who is Gary Dranow, and when did your love affair with music begin?" we ask. With a warm smile, Gary recounts his journey—a tapestry woven with notes, rhythms, and emotions. From a young age, he found solace in the power of storytelling through songs, drawing inspiration from the rich tapestry of musical genres.

As the conversation unfolds, Gary sheds light on his passion project, The Manic Emotions—a band steeped in the traditions of rock and blues. Influenced by musical legends like Hendrix and Stevie Ray Vaughn, their sound is a harmonious blend of raw energy and soulful melodies.

'Mellow Drama,' Gary's introspective masterpiece, takes center stage as we explore the depths of his personal journey. Born out of a diagnosis of bipolar disorder, the song serves as a poignant reflection of resilience and hope. Through music, Gary found solace and healing, transforming his struggles into songs of strength and redemption.

With 'Sandy Beaches,' Gary invites listeners on a sonic journey—a celebration of blues rock and the timeless allure of the guitar riff. For Gary, the song is a testament to the raw authenticity of rock music—a reflection of his unwavering passion and dedication to the craft.

Away from the spotlight, Gary finds solace in the simple joys of life. Mornings are dedicated to hiking with his wife, Elizabeth, and their dogs, embracing the beauty of nature as a source of inspiration and renewal.

Delving into his musical playlist, we discover an eclectic mix of influences—from the legendary Jimi Hendrix to contemporary artists pushing the boundaries of sound. For Gary, music is a journey through time and genres—a testament to the boundless possibilities of creativity.

As our conversation draws to a close, Gary shares his vision for the future—a future defined by exploration and growth. With each new song, he aims to push boundaries and connect with audiences on a deeper level. For Gary Dranow, the journey is just beginning, and the possibilities are endless.

In the ever-evolving landscape of rock music, Gary Dranow stands as a beacon of passion and creativity—a testament to the enduring power of music to inspire, heal, and unite us all. As his journey unfolds, one thing remains certain: the world awaits with bated breath for the next chapter in the musical odyssey of Gary Dranow.

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Discovered via https://app.musosoup.com #sustainablecurator

Feature: SUPER SAIYAN JAY GC Presents An Unplanned Christmas

Written by Marilù Ciabattoni

Discovered via Musosoup

In the kingdom of Yuletide rap, Super Saiyan Jay’s “GC Presents An Unplanned Christmas” EP materializes like an unexpected present wrapped in beats and bars. With just a duo of tracks, the conciseness of this holiday offering echoes the fleeting essence of December’s festive spirit—yet its impact is as enduring as any classic carol.

From the outset, “Deck The Halls” crowns itself as a reveler’s anthem—a fusion of thumping bass lines with merry mischief that could likely ignite dance floors even beyond Santa’s realm. Its party-focused vibe conjures images of tinsel-decorated turntables, a modern-day sonic sleigh ride tailor-made for hip hop heads eager to rock their ugly Christmas sweaters.

Swaying to another rhythm is “Wish List,” serving up warm rhythmic hot chocolate topped with sentimental rhymes. This track harks back to old-school hip hop cheer while charmingly weaving tales not just of lavish desires but also heartfelt wishes—to care deeply for someone amidst the glitz can resonate powerfully when authentically spun by Super Saiyan Jay.

Recorded at Palm Beach studio under Oscar’s technical mastery, there’s raw authenticity in each cut—a testament to an unplanned project that feels fortuitous rather than manufactured. One might think combining rap and festive tunes would yield garland-covered gimmicks; instead, it delivers astonishing subtleties—an urban soundscape decorated with sincerity and swaggering seasonal joy.

While only covering a couple of songs may leave some listeners craving more winter chronicles from this dynamic artist, Super Saiyan Jay masters distillation—the artful compactness evokes greater appreciation for each mesmerizing hook and clever lyric composed amid jingle-bell jubilation. Cheers to fresh Noel narratives where “GC Presents An Unplanned Christmas” is not just observed but celebrated—with flair.

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Feature: Sandy Beahes - Gary Dranow

Written by Marilù Ciabattoni

Discovered via Musosoup

In the realm of rock music, few names resonate as profoundly as Gary Dranow. Throughout the past year, Gary and his band have enraptured audiences with an electrifying repertoire, including hits like 'Mellow Drama,' 'The King Is Dead,' 'Shimmering,' and 'Digitize.' Their magnetic presence and infectious melodies have garnered a devoted following, making Gary Dranow a household name in the world of rock.

Eager to delve deeper into Gary's musical journey, we had the privilege of sitting down with the man himself. From insights into his personal life to the inspiration behind his iconic tracks, Gary Dranow invites us into the heart of his creative universe.

"Who is Gary Dranow, and when did your love affair with music begin?" we ask. With a warm smile, Gary recounts his journey—a tapestry woven with notes, rhythms, and emotions. From a young age, he found solace in the power of storytelling through songs, drawing inspiration from the rich tapestry of musical genres.

As the conversation unfolds, Gary sheds light on his passion project, The Manic Emotions—a band steeped in the traditions of rock and blues. Influenced by musical legends like Hendrix and Stevie Ray Vaughn, their sound is a harmonious blend of raw energy and soulful melodies.

'Mellow Drama,' Gary's introspective masterpiece, takes center stage as we explore the depths of his personal journey. Born out of a diagnosis of bipolar disorder, the song serves as a poignant reflection of resilience and hope. Through music, Gary found solace and healing, transforming his struggles into songs of strength and redemption.

With 'Sandy Beaches,' Gary invites listeners on a sonic journey—a celebration of blues rock and the timeless allure of the guitar riff. For Gary, the song is a testament to the raw authenticity of rock music—a reflection of his unwavering passion and dedication to the craft.

Away from the spotlight, Gary finds solace in the simple joys of life. Mornings are dedicated to hiking with his wife, Elizabeth, and their dogs, embracing the beauty of nature as a source of inspiration and renewal.

Delving into his musical playlist, we discover an eclectic mix of influences—from the legendary Jimi Hendrix to contemporary artists pushing the boundaries of sound. For Gary, music is a journey through time and genres—a testament to the boundless possibilities of creativity.

As our conversation draws to a close, Gary shares his vision for the future—a future defined by exploration and growth. With each new song, he aims to push boundaries and connect with audiences on a deeper level. For Gary Dranow, the journey is just beginning, and the possibilities are endless.

In the ever-evolving landscape of rock music, Gary Dranow stands as a beacon of passion and creativity—a testament to the enduring power of music to inspire, heal, and unite us all. As his journey unfolds, one thing remains certain: the world awaits with bated breath for the next chapter in the musical odyssey of Gary Dranow.

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Discovered via https://app.musosoup.com #sustainablecurator

Interview: Supernatural - Gianfranco GFN

Written by Marilù Ciabattoni

Discovered via Musosoup

Meet Gianfranco, the dynamic Guitarist & Composer whose musical journey spans diverse genres and rich harmonies. From his beginnings at age 7 to leading his personal project since 2011, Gianfranco's compositions epitomize artistry and collaboration. Rooted in Jazz, Soul, Funk, and Bossa, his evolution as a musician shines through each project, enriched by collaborations with the enigmatic "Mystery Band." Influenced by legends like Santana, Wes Montgomery, and The Police, Gianfranco's discography boasts over 200 songs, each a testament to his musical prowess and creativity. As a self-taught artist, he crafts his signature style to evoke escapism, dreams, and dance, transcending conventional boundaries. With aspirations for collaboration and a forthcoming 5th album, Gianfranco's musical odyssey promises continued innovation and audience engagement, fueled by the unwavering support of his fans.

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Introduce yourself: Who is Gianfranco GFN? How and when was the project born?

My name is GIANFRANCO and I'm a Guitarist & Composer, but above all an artist! My passion is composing and creating music, since I started music at the age of 7, I have traveled in different musical worlds adventures with bands, and my personal project began in 2011 with ideas, goals, that have brought me a lot but above all I have the chance to work with many other different artists! That's why I call these musicians the "Mystery Band", because each one brings his or her own creativity and professionalism to the table.

How has your music changed in the past few years?

With several years of musical experience in different styles (Jazz, Big-Band, Rock, Disco-Funk, etc...) I built my project in my favorite musical style "ACID-JAZZ" which brings this mix of (Jazz- Soul, Funk, Bossa) instrumental than Songswriter. Working on my own and being my own conductor, I've called on various musicians from different backgrounds who have brought a touch that I've been looking for, whether through their knowledge, styles, but above all the way they interpret. With my last three albums, the manner, evolution and style are particularly evident. I've also made a lot of changes in the way I compose! My compositions have also evolved a great deal, including the song that is often presented rather than the usual "Turn around", but I've kept a few things that don't break the audience's listening habits.

Who inspired your music? Who are your biggest influences?

I grew up in a family that loved music, first through their traditional folk music, then through the fashionable music of the time with all the greats we know "Beatles, Rolling Stones, Italian, French, etc. ..." but I started music with the Blues, then Jazz, and according to the times all the adventures in various styles! My most notorious influences are all the Jazz musicians of the 50s and 60s, then people like Santana, The Police, Wes Montgomery, Incognito, the world of Soul, the world of the 70s with Motown in particular, etc.... the list would be long, but I think I give an overview of the world from which I also drew inspiration. Not forgetting Italian chanson, where I come from, of course.

Could you introduce your favorite singles you've released so far?

Over the course of my career to date, I've composed over 200 songs. It's not easy to say which songs are my favorites, because for me, they're all very good, in terms of their musicality as well as their particularities. I'd say I could start with the oldest: Race Criminals Cosmos, Chico Blues, Love never dies, Money, Tears of freedom, Island, Bonne & Clyde, So Dance, Docotor Wind, Supernatural, to name but a few!

How did you develop this style? Will you experiment with other genres in the future?

First and foremost, I'm self-taught, having practiced Jazz, where I love the rich harmonies that are used, but at the same time the more basic Blues, with these rhythms coming from the world of Soul, Funk, without forgetting the bossa and rock side, I've created my musical world, my style that I believe today is beginning to be recognized by the listeners who follow me. For me, music should be listened to in a way that lets you escape, dream and dance, without having to find out or understand what the artist was trying to say... or play!

Let's talk about "It's the End:" What inspired it and how did it come to life?

Supernatural ("It's the End") was born, like many of my songs, from a series of chords, a rhythm and a text that had to be married to the music and carry a meaning! I gave it an "Andante" cadence, even if the text contains a call to lost love, with a melody that's a little sad but also joyful to give the song a punch. When you listen to the song, you soon realize that it starts off rather gently, with a rhythm, and the closer you get to the end, you'll find a surge of energy and strength in both the music and the vocals. With an ending and exit that can leave you wondering, but also hopeful for a sequel…

Who produces your tracks? How do you choose which producers to work with? Do you have some dream producers you'd like to work with?

All my tracks I produce myself, since 2015 I've created my own Label and recently I also have a publishing house in collaboration with an office linked to artists for their rights and defenses! Being my own producer gives me and leaves me a great deal of freedom, but it does mean a lot of work! Ideally, I'd love to meet and collaborate with big-name producers, above all so that my music gets more airplay and earns more money, but today this is rather difficult but not impossible, so I can't give you any names, or there are too many very good ones! But I hope I'll meet someone!

Is music your main occupation at the moment? If not, how are you conciliating your day job with your music career?

No, because these days the music business doesn't earn as much as it used to, especially on physical and digital sales. There are concerts, but there are so many of us that our fees are very, very low. So, like many artists today, I have a "food" job, of course, otherwise it would be impossible to continue in this musical world. I have to say that there are a few glimmers of hope, especially over the last 2 years, when I've started to earn more money, especially as my music is spreading more and more, but there's still a long way to go before I can make a living from it without worrying about tomorrow.

 Have you ever been on tour? If not, would you like to embark on one? If yes, tell us about it.

I have to say that it's been a long time since I've done any touring, and as I explained earlier, this is due to a financial problem where the organizers no longer offer attractive fees for everyone! There are so many artists in this musical world that supply and demand has changed. I'm not giving up hope, and yes, I'd love to go on tour again with my Band and discover new stages and magical places, meet new people and present my musical world to them in concert.

Who's your dream feature?

I can't give you a single name, there are many characters, artists, visionaries who have inspired me and some who continue to inspire me, I hope that some of them I'll have the chance to meet one day! Perhaps then it will be worth telling you about them, because something lively and adventurous will have happened.

Where do you see yourself in one year as a musician?

In the course of this year I'll be releasing my 5th album, some of which you can already hear, and others which will be added over the coming months! Then, of course, there will be a sequel, which will be a surprise! I invite the public to follow me on one of my various pages on social networks, and I'd like to invite the public not to forget that we artists need your support whether by following us or by a gesture of purchase or donation, because if the musical world wants to live it also needs financial support.

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Interview: Deep Mollusca - William Sanford

Written by Marilù Ciabattoni

Discovered via Musosoup

Meet William Sanford, the enigmatic Dance/Electronic musician whose artistry defies conventional boundaries. Hailing from NW Indiana/Chicago-land, William's music reflects a fusion of eclectic influences and maximalist tendencies, born out of a mid-life crisis and existential reflection. Drawing inspiration from icons like Boards of Canada, Ween, and Prince, William's sonic journey evolves with each project, from the narrative-rich "Hallothanksmas Soundscapes" to the deep-sea exploration of "Deep Mollusca." As a sole producer and performer, William's compositions mirror his messy, eclectic persona, embracing experimentation and welcoming diverse genres into his realm. With dreams of collaborating with visionaries like Boards of Canada and Nala Sinephro, William's musical odyssey promises endless innovation and artistic growth.

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Introduce yourself: Who is William Sanford? How and when was the project born?

According to the Google knowledge panel, William Sanford “was” a Dance/Electronic musician who lived from 1764 to 1837. William’s website and press releases originally stated that William “is” an eclectic, eccentric and electronic musician from the NW Indiana/ Chicago-land area with working-class roots. Almighty Google must be the true version; obviously. However, regardless of whether or not William is a working-class, hobbyist musician or is actually a long-deceased vampire, William thrives on the juxtaposition of seemingly incompatible contradictions. This obviously leads to Maximalist tendencies. 

As far as why William started doing this? The “real” answer is much less sexy. He did it because of a mid-life crisis and the “existential dread” of slipping away into irrelevance as he ages. It’s been five years since then, so… the clock’s ticking. 

How has your music changed in the past few years?

William is always attempting new things, but one thing that remains consistent is that each work strives to be its own world. There has been obvious growth in production skill and technique and this is glaringly evident when one listens to “Hallothanksmas Soundscapes” next to William’s latest “Deep Mollusca”. But… the eclecticism has been there from the beginning. The projects are just maturing, getting tighter, and the seemingly disparate song choices are becoming better glued together with clever narrative and sonic elements. 

Who inspired your music? Who are your biggest influences?

William’s foundational inspirations remain the same- Boards of Canada, Ween, Prince, Yes, Tori Amos, Queen, Aphex Twin, Pink Floyd, Bill Evans, and The Cure. Beyond that, William is always pulling in new influences from The Beach Boys to Tyler the Creator; from Electric Light Orchestra to SOPHIE. Everything becomes fair game if it catches William’s ear. 

Could you introduce your favourite singles you've released so far? 

William doesn’t really consider himself a “singles” artist. He still believes wholeheartedly in the album, or at least, the E.P. Even if the production isn’t as tight as some of his later releases, “The Charmingly Boring Lives of Snails” remains a favourite of Williams. The short run-time of that E.P. as well as “Cool Memories” was an attempt to give the “vibe” of a concept album in a time frame compatible with contemporary life. They could be enjoyed while on a “meal” or “vape” break at work. It’s a format William may visit again at some point. 

How did you develop this style? Will you experiment with other genres in the future?

William is a messy and eclectic person. This “style” is merely the reflection of that. And it is almost guaranteed that other genres will get mixed in as time goes on and they are discovered and absorbed by William. 

Let's talk about "Deep Mollusca:" What inspired it and how did it come to life?

William came across some videos by The Schmidt Ocean Institute and EVNautilus that features deep sea creatures and environments. This prompted a deep dive and obsession and over the course of a year, a concept album was built around the knowledge and inspiration gained from this. No joke, William went so far as to purchase and “attempt” to read Biology and Evolution of the Mollusca  by David R. Lindberg, Juliet Mary Ponder, and W. F. Ponder. While William has a degree in Philosophy and is no stranger to long, dry texts, a graduate level Biology text was a bit beyond him. Although, William can tell you that the Aplacophora posses aragonite spicules as opposed to a calcareous shell and that their “mantle” is rudimentary compared to other Mollusks. So, there’s that. 

Who produces your tracks? How do you choose which producers to work with? Do you have some dream producers you'd like to work with?

William is the sole producer and performer on most tracks. William would love to watch someone like Brian Eno work when it comes to his production of other bands, but as far a collaborating, it is unlikely that William would share production duties, But, who knows? 

Is music your main occupation at the moment? If not, how are you conciliating your day job with your music career?

Nope. William still pulls pallets for a living. And he still considers himself a hobbyist. 

Have you ever been on tour? If not, would you like to embark on one? If yes, tell us about it.

Nope. William recognizes that putting together a live show is probably an important next step, but this still needs to be worked out. William refuses to be a musician who simply presses “play” in a live setting. So, playing certain synth parts and such is a necessity. William has also considered costumes and such; dressing up as some of the weird characters introduced in his music. This is still in the “dream” phase. So, we will see. 

Who's your dream feature?

Obvious choices would be the likes of Boards of Canada. William was absolutely blown away by the electronic and contemporary jazz of Nala Sinephro. Collaborating with her and her team would be unbelievable. Beyond music, pairing with some visual artists would be amazing. Brian Calvin’s surrealist and pop-art leaning cubist pieces would make a great visual accompaniment to William’s music. Another obvious visual arts choice would be Jen Stark’s psychedelic installations for the obvious “brand” synergy. 

These are dreams pairings of course. And William is absolutely happy working with Emilija Mitchell for all of his art needs. She has done his covers since Boomer Vibe “Sessions” and also created William’s snail logo. Her work has been paramount to furthering William’s vision. 

Where do you see yourself in one year as a musician?

Who knows what William will up to in a year? Thanks to Google’s knowledge panel, William has been toying with the idea of building a “concept” around mythology and legend with his “misinterpreted mirror image” as the subject. There’s also the idea of going back to producing “bite-sized” EP’s. Something will materialize at some point. If not, William could always fall back on doing Corey Feldman covers or something. 

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Interview: Cookout - Tre K

Written by Marilù Ciabattoni

Discovered via Musosoup

Meet Tre, the charismatic rapper hailing from South Orange, NJ, known for his electrifying energy and raw lyricism. With his latest project, "The Coldest Veins," Tre encapsulates his journey from the chilling nights of LA to the fiery depths of his personal experiences. Embracing the drill sound while infusing elements of rage and rock, Tre's music pulsates with authenticity and emotion, drawing inspiration from his idols like Jay Z and Lil Wayne. Tracks like "Kiss Me More" and "Cookout" showcase his dynamic style, fueled by collaborations with longtime producers Father Milli and Kanayo. With dreams of touring nationwide and collaborating with icons like Trippie Redd, Tre's ascent in the rap scene is imminent.

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Who is Tre K? How and when was the project born?

It’s ya boy Tre from South Orange NJ, one of the coolest rappers to ever bless the mic. Thus my tape “The Coldest Veins” is available for all to listen to now! 

The project was born last winter when I went to LA and was freezing in the nighttime, I had said “damn I’m cold down to the vein” and that gave me the idea for the project.

How has your music changed in the past few years?

In the past few years I have been exploring the drill sound. I am more of a rage/rock rapper but the sound has been fun and I have made some really cool music lately.

Who inspired your music? Who are your biggest influences?

My personal life inspires all of my music. Some artists that have influenced me as well are Trippie Redd, Lil Uzi, young thug etc. Not to be confused with my biggest influences: Jay Z and Lil Wayne.

Could you introduce your favourite singles you've released so far?

My favorite singles I have out are “kiss me more” and “Cookout.”

How did you develop this style? Will you experiment with other genres in the future?

I developed my style by jumping into the booth head first. No idea what I was doing until stuff kinda started sounding good. It was a complicated to explain. I am blessed to have patient engineers.

Let's talk about "Cookout:" What inspired it and how did it come to life?

“Cookout” was actually a random beat I got from my producer when he changed his number. So I thought it was a spam text when I first got it lol. 

The song is about how sometimes your enemies don’t even know why they hate you, in reality, they actually like you.  “I like they like me, he was the smoke I ran up my Nikes, might talk an opp I think that’s a nigga likes me, talking a life he living isn’t likely.”

Who produces your tracks? How do you choose which producers to work with? Do you have some dream producers you'd like to work with?

I have two producers I work with regularly. Father Milli and Kanayo I grew up with both of them. I  pick beats based on how I feel mostly. It would be a dream to work with Metro Boomin or Cash Cobain. But I love my producers the most.

Is music your main occupation at the moment? If not, how are you conciliating your day job with your music career?

Music is all I do, I have shows weekly and I am booked all the time so I really don’t have the time for a regular job.

Have you ever been on tour? If not, would you like to embark on one? If yes, tell us about it.

I have not been on tour, I am looking for a booking agent to help me set one up.

Who's your dream feature?

Trippie Redd is def my dream feature.

Where do you see yourself in one year as a musician?

In one year I can see myself on my first ever. Country Wide Tour.

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Interview: Mirror's Gaze - Parham Gharavaisi

Written by Marilù Ciabattoni

Discovered via Musosoup

Parham Gharavaisi is a solo musician whose musical journey began in 2019 out of necessity for uniqueness. His instrumental post-rock debut album emerged in January 2020, birthing a diverse catalogue spanning genres like rock, metalcore, and gothic rock. Influenced by 16-bit gaming soundtracks and the rise of metalcore in the mid-2000s, Parham fuses nostalgia with the intensity of metal in his compositions. With singles like "Eve Color" and "The Sun Speaks in Flames," he captivates audiences with melodic riffs and compelling narratives. Parham's style emphasizes contrast and experimentation, blending clean vocals with screams to explore nuanced expressions within rock and metal. While producing and performing most tracks himself, he aspires to collaborate with dream producers and continue refining his craft. Despite his main occupation in PC gaming, Parham envisions growth and self-improvement as a musician in the coming year.

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Who is Parham Gharavaisi? How and when was the project born?

I had to use my real name because every combination of words from the dictionary, even misspelled ones, was already taken by other bands multiple times. My solo musical project began in 2019, and I released my debut album, an instrumental post-rock, in January 2020.

How has your music changed in the past few years?

My music covers a variety of genres. Although it began as instrumental, it soon evolved into rock and metal. I have produced over ten full-length albums featuring songs in diverse genres, including post-rock, pop-rock, hard rock, metalcore, melodic death metal, gothic rock, and gothic metal, among others.

Who inspired your music? Who are your biggest influences?

Pursuing this path was always a dream of mine, and eventually, I mustered the motivation to make it happen. My childhood was filled with gaming on classic 16-bit systems such as the SEGA Genesis, where the simplistic yet enchanting game soundtracks captured my imagination. There was an indefinable quality about that period that left a lasting impression on me. As we moved into the mid-2000s, metalcore started to gain widespread popularity, marking my introduction to metal music. I delved into Melodic Death Metal, Gothic/Symphonic Metal, and Metalcore as my initial forays into the genre, and these styles continue to resonate with me profoundly.

Could you introduce your favourite singles you've released so far?

Choosing a favourite is challenging because I invest my heart and soul into every piece of music I create, encompassing both the melodies and the lyrics. While I'm inclined to favour songs inspired by my beloved video games, it seems too easy a choice. Nonetheless, Eve Color features some of my most cherished riffs. However, if I had to select one track that stands out as a complete work, it would be The Sun Speaks in Flames due to its compelling environmental message.

How did you develop this style? Will you experiment with other genres in the future?

I'm definitely keen on exploring further and blending elements from a mix of genres in future projects. I've consistently emphasized creating a stark contrast between heavy and soft segments in my music, deliberately choosing both clean singing and screaming vocals within the same track to highlight this difference. Although I don't plan to diverge significantly from rock and metal, I intend to delve deeper into the nuanced aspects of these genres, continuing to discover and experiment with their complex characteristics.

Let's talk about "Mirror's Gaze:" What inspired it and how did it come to life?

For this track, my goal was to create a mesmerizing ambiance with a constant, overwhelming sound. The lyrics maintain the introspective quality that characterizes much of my work, while the music aims to reflect the cyclical patterns of life and the recurring motifs found in nature. It's designed to be the kind of song you play in the background during a lengthy drive, allowing you to drift away and become engrossed in its atmosphere, rather than a complex, technical composition demanding intense concentration.

Who produces your tracks? How do you choose which producers to work with? Do you have some dream producers you'd like to work with?

I personally wrote, produced, performed, mixed, and mastered Mirror's Gaze, a process I've followed for most of my music. The only departures from this approach are my two forthcoming albums, Ghosts of Nations and Infect the Clouds, which are mixed & mastered by professional studios. I currently intend to return to mixing and mastering myself for my future work after these two albums.

Is music your main occupation at the moment? If not, how are you conciliating your day job with your music career?

Yes, you could say that. Regarding hobbies, I've always been an avid and competitive PC gamer. I take my ranking in competitive games very seriously, consistently aiming to reach the top.

Have you ever been on tour? If not, would you like to embark on one? If yes, tell us about it.

I generally prefer not to engage with other people, though I can make exceptions. No further comment.

Who's your dream feature?

It's not something I've previously considered, so I don't have an answer for it.

Where do you see yourself in one year as a musician?

I constantly aim to better myself, so ideally, I'll be an improved version of who I am today.

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Chaidura Illuminates the Shadows of Alternative Music With Latest Single “The Light”

Written by Marilù Ciabattoni

Discovered via Musosoup

THE ENIGMATIC ALTERNATIVE ARTIST FROM LONDON — Chaidura, who seamlessly fuses alternative metal with Japanese visual kei aesthetics in her music. In a world where self-expression and acceptance reign supreme, Chaidura creates a unique sonic experience, emphasizing the delicate balance between beauty and horror.

Born as an experimental solo project during lockdown, Chaidura's sound has evolved through intentional experiments, drawing inspiration from influences such as rock band Bring Me the Horizon and iconic visual kei bands the GazettE Dir En Grey. 

With hit singles such as "Menace" and "Night Forever," Chaidura's dynamic, genre-bending approach leaves audiences captivated. As we delve into the artist’s journey, expect surprises, vulnerability, and a reminder that even in darkness, "The Light" can emerge.

Read below to learn more about Chaidura’s musical style, how she crafts her songs, and what inspired her most recent track, “The Light.”

LITM: Introduce yourself — who is Chaidura?

CHAIDURA: Hello, there. I'm Chaidura, an alternative artist based in London. My music can be said to be a blend of alternative metal and Japanese visual kei. I place a huge emphasis on visuals that blend beauty with horror, striving to create a comforting juxtaposition for my audiences. On a philosophical level, Chaidura stands for self-expression, acceptance, and understanding.

LITM: How and when was this musical project born?

CHAIDURA: Chaidura was born as an experimental solo project during the lockdown. I was previously in other local bands that played more “indie” genres, like math rock and post-rock. I always felt that something was lacking from those music genres and decided to play around with a more theatrical style of music. I would say that my need for self-expression manifested itself as Chaidura.

LITM: How has your music changed within the past few years?

CHAIDURA: I would consider all my songs before “Basilisk” as experiments. I was essentially trying to find my sound. If you listen to the singles before “Basilisk,” the songs are all very different. There are heavy songs (“Menace”), dramatic songs (“Ante Metus,” “Insect Kill All”), and more pop-sounding songs (“With You,” “Night Forever”). These were all intentional experiments for me to find what is truly Chaidura. I wouldn’t say that I’m 100% sure of my sound now, but it’s moving towards a genre and production that is dynamic, unexpected, and genre-bending. I’m someone that loves change and gets bored of a similar sound pretty quick, so I do expect this to continue changing in the future as well.

LITM: Who are the biggest influences on your music?

CHAIDURA: Bring Me the Horizon is a big influence [for] me. Two things stick out for me from BMTH. Firstly, the heaviness and raw emotions. Their There Is a Hell album was the one that got me hooked on them, and I appreciated the vulnerability and ferocity. Secondly, their production and creativity. In the past few years, they have experimented with so many different sounds and styles and I really, really love that. That spirit is so inspiring and has been something I try to embody.

However, the largest influences for me are visual kei bands: the GazettE and Dir En Grey. I could go on and on about them forever. But essentially I’m inspired by the theatrical and dramatic nature of their songs, accompanied by their mesmerizing visuals and style. These two bands are the reason why I’m doing music.

LITM: Could you introduce your favorite singles you've released so far?

CHAIDURA: “Menace” — I believe it is one of my most-played tracks on Spotify. I like this song a lot, as it’s the main reason that brought me into the UK alternative scene. Many of the friends and fans that I made in the UK discovered me through “Menace.” It was also the first song that got featured on BBC Radio One, so it’s a meaningful one for me.

[To this day], “Night” Forever is still my proudest creation. It’s a song about the hypothetical idea of waiting for your loved one in the afterlife. You want to see them but you don’t want them to die. I’m not a pop musician, so this song was literally the hardest to create, and that’s why it’s my favorite.

LITM: How did you develop your style? Will you experiment with other genres in the future?

CHAIDURA: The main answer would be through experimentation and listening to different genres (I honestly rarely listen to metal these days). But I would say that having a narrative-driven approach to songwriting helped develop this chaotic style. The way I view making music is like making a movie. Movies have loads of ups and downs emotionally. There is an action sequence, an emotional sequence, and a calm sequence. I think I subconsciously brought this dynamism to my music. [I’ll be] experimenting in the future, 100%. Don’t be shocked if I start doing hip-hop (laughs).

LITM: Let's talk about "The Light." What inspired the track, and how did it come to life?

CHAIDURA: I do have a great tendency to keep everything to myself, to shoulder all burdens. There are plenty of times when I have experienced burnout and exhausted myself to bits. Where does this come from? Is it some pride? Is it ego? Is it the lack of courage to admit that I need help? It’s like sometimes I feel like I’m sabotaging myself. And in those moments, I basically give up, you know? Or at least I feel like giving up. This emotion inspired “The Light.” It’s showcasing my vulnerability and from a first-person standpoint, admitting that I need help. I need support from others. I’m honestly still a work in progress, but I do think that so far, whenever I ask for help. This feeling of suffocation goes away. Even the act of asking helps, you know? So, it’s a reminder to myself and maybe a suggestion to others that getting help helps.

LITM: Who produces your tracks? How do you choose which producers to work with? Do you have some dream producers you'd like to work with?

CHAIDURA: I’m currently working with Alex Copp (producer of As December Falls). Honestly, Alex, the legend, approached me after hearing “Menace” on BBC Radio One. I kinda just went with it and we started a very good partnership and friendship. I’m excited to share more songs (in the upcoming EP) that are produced by both me and Alex.

In terms of dream producers, Zakk Cervini, Jordan Fish, and Daisuke Ehara (from Paledusk).

LITM: Have you ever been on tour?

CHAIDURA: I have never been on tour and I would love to do so. The performance aspect is so important for Chaidura. I do think that fans need to experience the live show to really understand what Chaidura is about. Personally, I also love interacting with fans, so the sooner I can do a tour and reach people, the better.

LITM: Who's your dream feature?

CHAIDURA: Kendrick Lamar. The collaboration would be the coolest thing ever.

LITM: Where do you see yourself in one year as a musician?

CHAIDURA: I hope to become a staple of the underground alternative scene in the UK.

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Review: The New Kid - SHEDDE0D

Written by Marilù Ciabattoni

Discovered via Musosoup

The latest album from Portuguese musician shedde0d, titled "The New Kid," unveils a captivating journey through electronic landscapes. With tracks like "Fading Toys" evoking a serene yet enigmatic ambiance and "Reunion Anxiety" bursting with synth-driven tension, the album offers a diverse spectrum of tones that remain melodically compelling even amidst their darker undertones.

shedde0d, in describing the creative process behind the album, emphasizes the spontaneous fusion of live takes, revealing a raw and intuitive approach to music-making. Despite lacking formal musical training and experiencing partial deafness in one ear, shedde0d's compositions emanate an improvisational allure that captivates listeners.

Many tracks on the album extend beyond the conventional duration, clocking in at over ten minutes, allowing ample space for exploration and immersion in their distinct atmospheric allure. "Reunion Anxiety" exemplifies this with its juxtaposition of pulsating synth motifs and tranquil resolutions, while "Beauty Imperfect" maintains a consistent nocturnal shimmer, drawing listeners into its understated brilliance.

A standout track, "Soft Tissue," envelops listeners in a hauntingly aquatic atmosphere, characterized by its undulating synth textures and ethereal melodies. Throughout "The New Kid," shedde0d skillfully weaves childhood memories into the fabric of his soundscapes, resulting in a deeply evocative and immersive sonic experience.

In essence, "The New Kid" stands as a testament to shedde0d's mastery of sound, effortlessly blending past influences with innovative sonic explorations, ultimately crafting a mesmerizing tapestry of electronic music.

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Review: Passing Moments Caught Forever - KINGSEEKER

Written by Marilù Ciabattoni

Discovered via Musosoup

Norwegian ensemble Kingseeker, renowned for their unyielding sonic impact, makes a triumphant return with their second album, "Passing Moments, Caught Forever." Two years following their debut release, "Daily Reminders," the band unveils a more mature and polished sound that embraces a "less is more" philosophy, prioritizing heavy riffs, infectious choruses, and fervent vocalizations.

"Passing Moments, Caught Forever" emerges as a masterclass in intensity and thematic profundity. Comprising Emil Bringsli on bass, Jan Magne Abel Opsahl on vocals, Marius Rød Tøftum on drums, and Aron Veliz on guitar, the band delivers a visceral odyssey delving into dreams, fabricated memories, nostalgia, and the awakening from entrenched beliefs.

The thematic journey of the album navigates the complexities of aging, grappling with life's intricacies, and the relentless pursuit of comprehension in a world shrouded in mystery. Kingseeker's adeptness at translating these profound concepts into a musical narrative speaks volumes about their artistic acumen.

From the onset, each track on "Passing Moments, Caught Forever" exudes potency. The thunderous riffs command attention, setting the stage for a sonic voyage that is both dynamic and cohesive. Kingseeker's bold fusion of aggression with melodic nuances creates an immersive sonic tapestry that leaves an enduring impression on the listener.

Jan Magne Abel Opsahl's vocals emerge as a standout feature, striking a delicate balance between chilling screams and a versatile vocal range. The emotional depth conveyed through his delivery adds layers of resonance to the album's overarching themes, transforming each track into a cathartic release of intensity and collective vision.

"Passing Moments, Caught Forever" eschews unnecessary embellishments, embodying a raw, unadulterated manifestation of musical prowess. The album's potency lies in its ability to strip away the excess, revealing only the core elements that define Kingseeker's dominance in the metal arena.

As Kingseeker beckons listeners to traverse the realms of dreams, nostalgia, and existential awakening, they offer an auditory excursion that transcends the confines of traditional metal. "Passing Moments, Caught Forever" transcends mere musicality; it is an odyssey, an exploration of the human experience, and a resounding testament to Kingseeker's significance in the contemporary metal milieu.

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Review: Sailing Symphony - KLEIN & JAMISON

Written by Marilù Ciabattoni

Discovered via Musosoup

Renowned composers and musicians Jim Klein and Ian Jamison, collectively known as Klein & Jamison, joined creative forces in 2018, hailing from the vibrant musical landscapes of Colorado and Arizona. Their collaborative endeavors have left an indelible mark on the music scene, captivating audiences worldwide with their innovative expression and unwavering dedication to the craft of music-making.

Their latest offering, the EP "Sailing Symphony," comprising four captivating tracks, showcases the duo's unparalleled talent and artistic vision.

The journey begins with "I. Sailaway," a mesmerizing composition that sets the stage for the EP's immersive sonic experience. With its enigmatic allure and captivating melodies, the track unfolds like a cinematic narrative, weaving a tapestry of emotions that resonates deeply with the listener. From moments of introspection to heightened drama, the seamless integration of synths, saxophone, and masterful piano work creates a spellbinding atmosphere that lingers long after the song concludes.

"Doldrums," the second track on the EP, unveils hidden depths with each passing moment, drawing the listener into its rhythmic embrace. Beneath its cheerful facade lies a rich tapestry of melodic textures and captivating harmonies, inviting the audience to surrender to its soothing allure.

"Storm," the third installment, transports listeners to the heart of nature's tumultuous embrace. From serene beginnings to the unsettling crescendo, the track captures the essence of inner turmoil and emotional upheaval. Through the evocative interplay of violin and synth work, "Storm" takes listeners on a gripping journey of exploration and introspection.

The EP reaches its triumphant conclusion with "Ahoy," a stirring ode to resilience and triumph over adversity. With its epic instrumentation and soaring melodies, the track encapsulates the full spectrum of human emotion, from jubilant celebration to profound relief.

Throughout "Sailing Symphony," Klein & Jamison masterfully navigate the complexities of the human experience, offering listeners a cinematic voyage through the depths of emotion and introspection. With each track, they invite audiences to embark on a transformative journey, where melody and harmony converge to create an unforgettable musical odyssey.

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