Cocoa Futures

Press: chris@lostinthemanor.co.uk

CocoaFutures-PhotoBySaraAmroussiGilissen (1).jpg

‘Upbeat funkadelic pop’ - The Line of Best Fit

‘A joy from beginning to end’ - CMU Approved

‘Organic Grizzly Bear-esque percussion with the deep, permeating riffs of Foals’ - The 405

‘A bit Bowie. A bit Prince. It’s also kinda Talking Heads and kinda Hot Chip’ - Killing Moon

‘Impossibly catchy’ - Louder Than War

‘Drifting, mellowed-out synth pop with a bittersweet taste' - Clash

About Cocoa Futures
In the autumn of 2017, Greg Sanderson, the frontman and architect of Cocoa Futures, was contemplating how best to follow up an acclaimed EP that had won his band enthused reviews and features (Line of Best Fit, Clash, CMU), an abundance of new friends and keen industry anticipation for what would be coming next. The previous 12 months had encompassed the release of the ‘Blue’ EP on Lost In The Manor records, several sold-out London shows (Sebright Arms, The Finsbury) and a rammed appearance at Brighton’s Great Escape Festival. But rather than further work the circuit with his assembled group of musicians, Greg made for the studio to write new material and further expand his tariff of warped-at-the-edges pristine pop nuggets. This period of prolific songwriting included such experiments as recording an album’s worth of material on a dictaphone, before the Tottenham-based, Scottish-bred singer emerged with a set of material to run by the Cocoa Futures rhythm section of Dave (drums) and Nick (bass). The next stage was finding a producer best-suited to draw the rich seam from Greg’s singular yet commercially inclined songs. Greg explains: “It was bit of a happy accident. I’d made a Spotify playlist called ‘drums sounds i like’ which had loads of GoGo Penguin tracks and a couple of Dutch Uncles tunes. I thought I’d research who’d made them ‘cos they sounded banging. Turns out it was a lad called Brendan in Manchester, so I dropped him an email and he was up for working together.”

So Greg, Nick and Dave spent a long weekend at Manchester’s Low Four studios, working with Brendan Williams (he of Dutch Uncles and GoGo Penguin fame, as well as notable others such as Makemake, Kiran Leonard and Koalas), completing six diverse yet sonically consistent tracks which will form their second EP due to be released in November. These half dozen thrilling pop moments, whimsical, catchy and fresh, produced with exacting attention to detail and dynamic, are sure to more than sate those who’ve wisely been keeping Cocoa Futures on their ones to watch lists these past 18 months.