“They’re well on their way to achieving great things” Gigslutz
“Only Takes A Day are like a more melodic version of Scroobius Pip’’ Brixton Blog
"Sardonic wit and an impeccable & rhythmic cadence…" RAWRAMP
"Take this as a call to arms of those with talent and a notebook." Jammerzine
"They’re unafraid of going against the grain, and bringing contradictions together, and it pays off." Gigslutz
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“Crunching alt-rock from the London risers...” CLASH
"Smooth existential rock piece that sends exhilarating breeze through your system." AUPIUM
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“A shimmering slice of synth goodness” DIY Magazine
“English vocals, tasty keyboard action and fine production” Fresh On The Net
“One of the most addictive hooks of the year” Crack In The Road
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“IAKO may will be the Venetian troubadour you’ve been looking for in 2018” Four Culture
“Tender vocals with bold, dynamic songwriting” Gigslutz
“A rich blend of folk and ambient sounds” For Folks Sake
“Searing honesty and harmonics” Briggy Smale, BBC Radio 1
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‘We want to know everything. Stunning!’ BBC Introducing
‘It's a beautifully constructed folk-pop hymn’ CLASH
“Rarely has a song about the ocean captured the spirit better’ Glamglare
‘Pure, raw and full of energy, much like the crashing waves on the beach’ It’s All Indie
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"A shimmering, tactful dose of the sort of slickly produced, melodic indie pop" GIGSLUTZ
"Luis is an ambitious musician with a gifted ear for the kind of restlessly infectious melodies that made popular music from the seventies and eighties so uplifting." Ralph's Life
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'Emotionally charged, and teeming with raw energy, ‘Lifeline’ is a no-holds-barred dose of rock n roll' Gigslutz
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‘Equals have a stunning melodic touch, an ability to craft furiously intelligent R&B melters that cut deeper than most’ CLASH
‘Music that resonates with feeling’ Line Of Best Fit
‘The track's musicality is intensified further by Omotayo's astonishingly soulful and raw lead vocals’ Indie Shuffle
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‘Somewhere between Caribou, Tame Impala and Sufjan Stevens.’ Highclouds
‘Layered vocals dripping in melancholy and some rather captivating nocturnal production’ Pressplayok
'KYLYPSO have solidified their place amongst all that is great and good about pop music.' Wonderland Magazine
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‘Kadija Kamara has soul’ CLASH
'Sensational neo-soul vocalism' Raw Ramp
'Pumping attitude and urgenc' The Autumn Roses
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‘Ferocious energy of punk against sharp-edged Jamaican rhythms’ CLASH
'Evident punk rock influences with a flair of reggae' Gigslutz
'London based Jamaican infused punk sensations' Huffington Post
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'Instantly addictive alt-rock anthem!' GlamGlare
Premiere: GlamGlare
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“Diverse influences… Yet the resulting melange coheres into a frequently beguiling avant-garde chamber pop” R2
Premieres: For Folk's Sake, Louder Than War; Clash
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“A young producer working on instinct, he seizes sounds wherever he can find them” Clash
“Your new favourite electronic magpie” Electronic Sounds Magazine
“A sultry mix of beat plus beauty guaranteed to wake the masses who chose the blue pill” Jammerzine
“Ominously cinematic electronica” Fame Magazine
“Breathtaking” Tasty
Premieres: Clash
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“Potent alt.rock with enough originality to make its mark” Beehive Candy
“Breathing new life into classic rock” GlamGlare
“A rock’n’roll banger” Diamond Deposits
“Robustly powerful” The Sound of Confusion
“Ruddy delicious” We Close Tonight
Premieres: We Close Tonight; Clash
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“A huge slab of deeply physical electronics...” Clash
“There are more verbose words to sum up this debut track, but the one that suits best? HUGE” Cultured Vultures
“Essentially this is a giant ice cream sundae with free refills on chocolate sauce and sprinkle” Listen With Monger
Premiere: Clash
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“This is brilliant” Dermot O’Leary, BBC Radio 2
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