Introduce your grateful ears to Lost In The Manor's latest curation of choice cuts, featuring The Drink, Band Of Gold, Blackmale Beats featuring Meakoom, Joon Moon and Love Nor Money
Read MoreWatch/review: Guadalupe Plata – Calle 24
The plot of Guadalupe Plata's lo-fi promo zips along surreally at an urgent pace, all matching the fuzz-toned garage-blues rumble of ‘Calle 24’ itself, a tune that hovers between the Soledad Brothers, Dick Dale and The Cramps.
Read MoreListen/review: Palm – Doggy Doctor
'Doggy Doctor' is a slow and strange number replete with chiming guitars and a kind of car-sick nauseous quality to its heavy lurching momentum. It’s challenging music that never quite settles in the stomach till the starry outro.
Read MoreListen/review: Eliza Shaddad – Wars
'Wars' starts with a guitar riff slowly bleeding through a touching vocal line that seeps in later. It’s quite different to the Eliza songs I'm used to but still features her sweet, sultry vocals on top of the track. There is a certain roughness to them now,
Read MoreListen/review: Beach House – Elegy To The Void
This is certifiably Beach House at their very best. Atop the astral synths and buoyant beats sits a meditation on impermanence from Victoria Legrand. "Black clock looming distant" she coos, as the song drifts and arranges itself to brace a phenomenal feedback-saturated guitar solo from Alex Scally.
Read MoreWatch/review: King Korea – Zoo Generation
The pounding riffs, Eagles of Death Metal-esque vocal delivery and the astoundingly thumping catchiness of the band all feel like great influences from the desert-rock scene.
Read MoreLive review: Caspian and Jo Quail, The Dome, 2/11/15
Caspian hit that glorious sweet spot where every note just sat right and emanated energy throughout the room, vibrating through the audience. It was a killer performance
Read MoreLive review: Orphan Boy at The Sebright Arms 29/10/15
Singer Rob Cross is a fine lyrical chronicler of the travails of the unfashionable everyday, not unlike a provincial British Springsteen, and, for all their punk roots, Orphan Boy at their best have a flavour of The Boss’s widescreen, anthemic escapism.
Read MoreLost In Transmission 2: 30/10/15
Our October's end amalgamation of five of the finest tracks of the moment
Read MoreListen/review: David Ward – Möbius Wave
Ward’s soulful operatic vocal is set to harmonious, subtle contrasts. The slow-burning percussive pound, considered guitar licks and gently rising orchestration of the lovely verses is the real bedrock of the song, and ‘Möbius Wave’ never fails to intrigue.
Read MoreWatch/review: Jane Weaver – I Need A Connection
The effortless delivery of Weaver's vocals makes for a tasty treat further amplified by those Eighties-inspired synths that fill the space in the background, especially in the chorus where it gets a bit more meaty and emphatic. It's a pop-inspired track that has a cute flair to it and is inspiring
Read MoreListen/review: O Emperor – Switchblade
The first thing that stands out on ‘Switchblade’ is its simple, delightful bassline and playful synth-riff melody that kinda floats on top before the vocals kick in. These are distinct and welcoming, coating the music in what feels like a warm massage oil.
Read MoreListen/review: LAGS – Fear, Control, Mothers
The lashing six-string, growling rhythmic rumble, throaty melodic roar and overall Hurricane Jaoquin levels of energy mark 'Fear, Control, Mothers' most clearly as A-grade punk rock, and LAGS as a band to get psyched about
Read MoreListen/review: Luo – Ebb & Flow
The jaw-dropping percussive engine takes top billing on ‘Ebb And Flow’, blending the trad and the tech to craft a showcase pitching up between downtempo dubsteppy nocturnes and adventurous post-rock.
Read MoreListen/review: Tempers – Trains
The music kicks in at a heart-racing tempo that has the whole track moving, your heart pumping and your blood constantly at the edge of your skin.
Read MoreListen/review: Sudakistan – Mundo Mamon
Latino influences are infused throughout, which brings a nice extra element and helps to distinguish Sudakistan’s sound from the wall of punk that slams you in the face for the rest of 'Mundo Mamon'
Read MoreListen/review: The Vryll Society – Air
Despite a peppering of diverting effects, The Vryll Society’s hypnotic hazy psychedelia is comforting in its familiarity. ‘Air’, the lead track from their new EP ‘Pangea’, holds many reference points in its eddy of gentle space rock
Read MoreListen/review: Boddhi Satva – Skin Diver (feat Teedra Moses)
The first thing that grips you is those vocals, which are absolutely gorgeous and go down smoother than a finely aged spirit, whetting an appetite that is then satisfied further by a drumbeat adding unexpected dance rhythms
Read MoreListen/review: Bachar Mar-Khalifé – Kyrie Eleison
"The whispered chants, plaintive harmonies and lingering piano crescendo of the opening segment are compelling enough, but it is the stampeding bass notes and forceful chorale of the mid-section that packs the punch: piano hammers strike the strings like desperate blows on a bolted door as the singer directs his anger towards an unreachable almighty."
Read MoreWatch/review: White Reaper – Pills
"'Pills' eschews the Buzzcocks-esque thrum of much of White Reaper's oeuvre for something closer to the classic pop punk of Blink 182. It’s a piquant evolution from their humbler lo-fi beginnings."
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