Rock continues to evolve, blending old-school grit with fresh, modern energy. This week’s LITM Rock Picks showcases five artists pushing the genre forward. Little Wasters bring anthemic heat, SEHORE crafts intricate soundscapes, and Alley Eyes injects indie flair. We Feed Alone delves into emotional depth, while Elliot Minor returns with their signature orchestral rock.
Little Wasters - Heat
“Heat” lives up to its name—Little Wasters pack this track with raw energy and relentless riffs. The song kicks off with a fiery guitar hook, immediately setting the tone for a high-voltage rock anthem. The vocals are gritty yet melodic, striking the perfect balance between attitude and control. The rhythm section keeps the momentum locked in, making it impossible not to nod along. Lyrically, “Heat” is about pushing forward, embracing chaos, and refusing to back down. The production is tight but not overpolished, giving it a livewire intensity. This is the kind of track you blast with the windows down, letting the adrenaline take over.
SEHORE - VALS
SEHORE’s “VALS” is a slow burn, but once it grips you, it doesn’t let go. The track opens with haunting melodies, gradually building into a powerful crescendo. The guitar work is intricate yet never overwhelming, letting the emotion shine through. The vocals are hypnotic, effortlessly carrying the song’s weight. There’s a dreamlike quality to the arrangement, making “VALS” feel both cinematic and deeply personal. The song sits somewhere between Radiohead’s brooding depth and The Smashing Pumpkins’ layered soundscapes, making it a compelling listen for those who love complexity in their rock.
The artist is a Silver Medal Winner at the Global Music Awards 2025 for the song "Pesadilla."
Recorded at Paco Loco Studio
Mastered at Kadifornia by Mario G. Alberni
℗ 2025 MusicHunters Records
Alley Eyes - tangerines.
“tangerines.” is Alley Eyes at their catchiest, delivering a blend of indie rock charm and subtle psychedelic influences. The song’s jangled guitar lines and upbeat rhythm instantly draw you in, but there’s a melancholic undercurrent that gives it depth. The chorus is effortlessly infectious, the kind that stays in your head long after the song ends. Lyrically, “tangerines.” feels like a nostalgic trip, balancing playful imagery with bittersweet introspection. The production enhances the song’s warmth, giving it a hazy, sun-soaked feel. Fans of The Strokes and Tame Impala will feel right at home here.
We Feed Alone - One Anothers
We Feed Alone go for depth with “One Anothers,” a track that blends post-rock atmosphere with alt-rock grit. The song unfolds in layers, beginning with airy guitar textures before diving into a more intense, driving chorus. The lyrics wrestle with human connection and isolation, a theme that’s reflected in the song’s dynamic shifts. The vocals are raw and emotive, adding a sense of urgency that lingers. The production captures the song’s mood perfectly, keeping things spacious while letting the guitars and percussion hit hard when needed.
Elliot Minor - How Does It Feel
Elliot Minor make a grand return with “How Does It Feel,” blending orchestral rock with modern production. The track opens with cinematic strings before kicking into a powerful guitar-driven groove. The vocals are dramatic yet controlled, capturing a mix of nostalgia and self-reflection. The chorus swells with layered harmonies, giving the song an anthemic quality. As the track builds, the instrumentation becomes more expansive, leading to a climactic finish. Elliot Minor have always excelled at fusing rock with symphonic elements, and “How Does It Feel” is a prime example of that skill. This is a comeback track that hits all the right notes.
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